Chuck Berry was probably the most influential artist from the early days of rock and roll, in terms of the impact that his music had on the evolution of the genre.
Article by: Bruce
Before Chuck Berry arrived on the scene the guitar was mainly a background instrument in rock and roll and rhythm and blues. In the early 50s the dominant instruments in the genre were the saxophone and the piano. Chuck's topical lyrics, combined with his legendary guitar riffs, set the model for the rock and roll style of the 60s. Virtually every guitar playing rock artist that came after him was influenced greatly by his style, as rock and roll became a guitar dominated genre by the mid-60s, and has stayed that way ever since.
Chuck exploded on to the scene in the summer of 1955 with his debut single, a song called "Maybellene" (originally called Ida Red) that shot right to the top of the R&B charts, staying at #1 for ELEVEN weeks in the summer and fall of that year. It also broke into the top ten on the Billboard pop chart, which was incredible for a rock and roll song by a brand new artist in 1955, a time when most R&B and rock and roll songs were still not breaking into the mainstream pop market. "Maybellene" peaked at #5 on the pop chart, and proved to be immune to the pop cover versions by white artists that plagued most black artists of the day, as a couple of lame cover versions failed to even make the charts.
He went on to release several of the greatest rock and roll classics of all time over the next 5 years or so, before doing a stretch in prison in the early 60s for a violation of the Mann Act. Upon his release from prison in late 1963 he made a strong comeback with several hit records in 1964. Chuck has actually spent time in jail on four different occasions, first in the late 40s, and in later years for tax evasion and drug possession. He's also been in trouble at times for other offenses, usually having to do with young women, like the time they discovered him videotaping his female employees in the bathroom at his amusement park.
Muddy Waters, T-Bone Walker, Nat "King" Cole, Louis Jordan, Fats Domino, Dave Bartholomew, Tampa Red, Hank Williams, Bob Wills, Elmore James, Charlie Christian, Joe Turner, Charles Brown, Memphis Slim, Jay McShann, Guitar Slim, Willie Dixon
Elvis Presley, Rolling Stones, Beatles, Jerry Lee Lewis, Kinks, Johnny Winter, Jimi Hendrix, Dave Edmunds, Johnny Rivers, Beach Boys, Dave Clark Five, Grateful Dead, Electric Light Orchestra, George Thorogood, Lonnie Mack, Animals, Creedence Clearwater Revival, Bruce Springsteen, Led Zeppelin, Nick Lowe, Brownsville Station, etc..., etc..., etc....
John Lennon - "If you tried to give rock and roll another name, you might call it 'Chuck Berry'."
Joe Perry (Aerosmith) - "Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing--the push-pull and the rhythm of it."
Stevie Wonder - "There's only one true king of rock 'n' roll. His name is Chuck Berry."
Jerry Lee Lewis - "[My mama] said, 'You and Elvis are pretty good, but you're no Chuck Berry."
Keith Richards - "To me, Chuck Berry always was the epitome of rhythm and blues playing, rock and roll playing. It was beautiful, effortless, and his timing was perfection. He is rhythm supreme. He plays that lovely double-string stuff, which I got down a long time ago, but I'm still getting the hang of. Later I realized why he played that way--because of the sheer physical size of the guy. I mean, he makes one of those big Gibsons look like a ukulele!"
Here's a great story about Chuck Berry to illustrate just how electrifying he was as a live performer. In 1972, Chuck recorded a partially live album called "The London Chuck Berry Sessions." The live portion of the album was recorded at the Lanchester Arts Festival in Coventry, England, with the Average White Band backing up Chuck for the show. This is where he recorded the song that was ironically to become the only # 1 pop chart hit of his career, a novelty thing called "My Ding-A-Ling," which was done originally by Dave Bartholomew back in 1952.
As it got towards the end of his set, he went into a version of "Bye Bye Johnny," a song that was sort of a sequel to "Johnny B. Goode." After the first verse, the audience starting singing "Go, Johnny, Go, Go" as Chuck got to the chorus. Chuck picked up on it, and switched over to "Johnny B. Goode" without missing a beat. This became his encore as it went on for several minutes. When the song ended the audience was going absolutely crazy clamoring for more Chuck Berry. The announcer was trying to calm the crowd down saying, "He's overrun 15 minutes.... look, there's about two thousand people outside waiting for another concert, I'm sure lots more of you are going to come back in to see the Pink Floyd, we don't get a Pink Floyd concert if we don't we clear the place, it's as simple as that." Apparently the audience did not seem to care about the Pink Floyd, as they continued to clap and scream and refuse to clear out, seemingly not interested in this "Pink Floyd" that was due on next. Such is the power of Chuck Berry live on stage!
In 1977 the United States sent a Voyager Space Probe deep into outer space, hoping for it to reach another galaxy, and perhaps even reach some other forms of life somewhere out there. The probe contained a bunch of items to illustrate what the culture on Earth was like. As part of the cultural package they picked one record to represent rock and roll, and that record was "Johnny B. Goode" by Chuck Berry. A while after that there was a skit on the TV show "Saturday Night Live." The premise of the skit was that Earth was about to get the first ever message from another life form in outer space. They had this big buildup to the message being received and decoded, translated, etc....finally they read the message out loud. The message from outer space was SEND MORE CHUCK BERRY!
Maybellene / Wee Wee Hours - 1955
Thirty Days / Together - 1955
No Money Down / The Downbound Train - 1956
Roll Over Beethoven / Drifting Heart - 1956
Brown Eyed Handsome Man / Too Much Monkey Business - 1956
You Can't Catch Me / Havana Moon - 1956
I'm Talking About You/Diploma For Two/Thirteen Question Method/
Away From You/Don't You Lie To Me/The Way It Was Before
Little Star/Route 66/Sweet Sixteen/
Run Around/Stop And Listen/Rip It Up
St. Louis to Liverpool - 1964 - Chess LPS-1488
Little Marie /Our Little Rendezvous /No Particular Place To Go/
You Two/Promised Land/You Never Can Tell
Go Bobby Soxer/Things I Used To Do/Liverpool Drive/
Night Beat/Merry Christmas Baby/Brenda Lee
Chuck Berry in London - 1965 - Chess LPS-1495
My Little Love Light/She Once Was Mine/After It's Over/I Got a Booking/
Night Beat/His Daughter Caroline/You Came a Long Way From St. Louis
St. Louis Blues/Jamaica Farewell Song/Dear Dad/Butterscotch/
The Song of My Love/Why Should We End This Way/I Want To Be Your Driver
Fresh Berry's - 1965 - Chess LPS-1498
It Wasn't Me/Run Joe/Every Day We Rock And Roll/One For My Baby
(And One More For The Road)/Welcome Back Pretty Baby/
It's My Own Business/Right Off Rampart Street/Vaya Con Dios/
Merrily We Rock And Roll/My Mustang Ford/
Ain't That Just Like A Woman/Wee Hour Blues
Back Home - 1970 - Chess LPS-1550
Tulane/Have Mercy Judge/Instrumental/Christmas/Gun
I'm A Rocker/Flyin' Home/Fish And Chips/Some People
San Francisco Dues - 1971 - Chess CH-50008
Oh Louisiana/Let's Do Our Thing Together/Your Lick/Festival/Bound To Lose
Bordeaux In My Pirough/San Francisco Dues/Viva Rock And Roll/
My Dream (Poem)/Lonely School Days
The London Chuck Berry Sessions - 1972 - Chess CH-60020
Let's Boogie/Mean Old World/I Will Not Let You Go/London Berry Blues
I Love You/Reelin' and Rockin'/My Ding-A-Ling/Johnny B. Goode
Bio - 1973 - Chess CH-50043
Bio/Hello Little Girl Goodbye/Woodpecker/Rain Eyes
Aimlessly Driftin'/Got It And Gone/Talkin' About My Buddy
Chuck Berry 75 - 1975 - Chess CH-60032
Swanee River/I'm Just A Name/I Just Want To Make Love To You/
Too Late/South Of The Border/Hi Heel Sneakers
You Are My Sunshine/My Babe/Baby What You Want Me To Do/
A Deuce/Shake Rattle And Roll/Sue Answer/Don't You Lie To Me
1. Johnny B. Goode
3. School Day
4. Rock & Roll Music
5. Roll Over Beethoven
6. Sweet Little Sixteen
7. Reelin And Rocking
8. No Particular Place To Go
9. Brown Eyed Handsome Man
10. Around & Around
12. Back In The U.S.A.
13. You Never Can Tell
14. Little Queenie
15. Memphis, Tennessee
16. Run Rudolph Run
18. Thirty Days
19. Too Much Monkey Business
20. You Can't Catch Me
21. Let It Rock
22. Bye Bye Johnny
23. Promised Land
24. Almost Grown
25. Wee Wee Hours
26. My Ding-A-Ling
27. Sweet Little Rock And Roll
28. No Money Down
29. It Wasn't Me
30. Come On
31. Oh Baby Doll
33. I'm Talking About You
34. I Got To Find My Baby
35. Anthony Boy
36. Childhood Sweetheart
37. Jaguar And Thunderbird
38. Joe Joe Gun
39. It's My Own Business
40. Little Marie
41. Confessin' The Blues
42. Beautiful Delilah
43. The Downbound Train
44. Blue Feeling
45. Havana Moon
46. Dear Dad
47. Go, Bobby Soxer
48. Worried Life Blues
49. Merry Christmas Baby
50. Deep Feeling
Greatest Rock Guitarists - # 25 Greatest Guitar Riff Creators - # 8 Greatest All Genre Guitarists - # 43 Most Influential Rock 'n' Roll Artists - # 3 Greatest Rock Songwriters - # 20 Greatest Frontmen Of Rock - # 56 Greatest Rock 'n' Roll Artists Of The 50s - # 3 Greatest Rock 'n' Roll Artists of the 60s - # 68 Greatest Rock Artists - # 10 Greatest 'Live' Rock Artists - # 31
Various songs by Chuck Berry are listed numerous times on many DDD song lists, including "Johnny B. Goode" as the # 1 song on the "Greatest Rock Songs" list, and also as the # 1 song on the "100 Greatest Rock 'n' Roll Songs Of The 50s" list, where Chuck has 7 songs in the top 100. He also has several songs on the "Greatest Guitar Riffs" list and the "Greatest Rock Anthems" list.