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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 3:01 pm 
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Musicfan67 wrote:
Bruce wrote:
Musicfan67 wrote:
I would say that Buddy Holly influence on the British Invasion was bigger than everyone else except Chuck Berry.


I don't know, Bo Diddley may have something to say about that.


Do you think it's at least debatable? I think Buddy Holly was a key influence on many of the British Invasin bands. I know Bo Diddley music influenced the Rolling Stones, The Animals, The Yardbirds and the Kinks. I know the music enough to hear it on certain Beatles tracks like "I Wanna Be Your Man".


Not only his music, but many Britsih beat bands copied Bo's look, the morrocas, and everything. Bo's songs were done probably by more UK bands than Holly's songs. Not many British bands recorded Holly's huge hits like "Peggy Sue" and "That'll Be The Day" and "Oh Boy" but tons of them did "Bo Diddley" and "Hey Bo Diddley" and "Who Do You Love" and "I'm A Man" and also lots of his lesser known things.

Most of the bands that had lead singers who were not playing an instrument (Stones, Yardbirds, Manfred Mann, etc...) all had him playing Maroccas because of Bo Diddley.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 3:01 pm 
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ClashWho wrote:
Musicfan67 wrote:
Honestly ClashWho you are sad IMO. You knock the Beatles but you can't name one song or major band that Elvis has influenced in the last 20 years.


Twenty years? How about last month?

http://thetvrealist.com/gossip/Minogue- ... 99185.html

Musicfan67 wrote:
Then you have nerve to call people ignorant to debate if their is the difference between rock and roll and rock music. Whether there is a difference or not people see the difference between both like they do rockabilly and country rock.


IMO, rockabilly is a legitimate genre of music. Country rock isn't.



I can't count the times I have heard the next Beatles or the next big thing in reference to the Beatles compared to Elvis. Though she is crazy IMO. Susan Boyle has admitted that her goal as an artist is to one day be as big as The Beatles. Otherwise known as the biggest band of all time.

Rockabilly is a subgenre of rock and roll. Country rock though less important in its history is still a subgenre of rock music. At least you said it was your opinion rather than stating it as a factual opinion.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 3:16 pm 
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Bruce, I necessarily don't disagree with you. Interesting Keith Richards once said that Buddy Holly had "an influence on everybody". Buddy Holly was the main influence on the Beatles they started the British Invasion. The Hollies named themselves after Buddy Holly.

So you think the amount of times his songs were covered counts as influence? I had this debate with someone else here about that topic. I have always viewed it as influence. Ok so in the scheme of things where do you rank Buddy Holly influence overall all on the British Invasion?


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 3:28 pm 
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J.B. Trance wrote:
Musicfan67 wrote:
I find him to be all over the place IMO


My point was that you can't call someone a "fan boy" when you're doing the exact same thing.

Also, I do find you at times to be "all over the place" because it's hard to read some of your posts. At least you're attempting to clean them up, as I've seen your many edits.

And Sampson is not an "Elvis fan boy." Maybe if you talked about other artists most of the time instead of essentially focusing on the Beatles, you'll see what I mean.

Quote:
I let you on a little secret a lot of people feel the same way.


Who thought so otherwise?



I don't mind being called a Beatles fan boy at all. But my opinion on the Beatles is grounded by what other musicians say, how many times their music has been covered and how I feel about their music.

That doesn't mean I don't respect Buddy Holly. It doesn't mean I don't know who Stockhausen was. It doesn't mean I don't respect Brian Wilson sense of harmony and melody. I think Steve Wonder version of "We Can Work it Out" is better than the Beatles original version IMO. I have music by Chuck Berry and I have music by Animal Collective. But I hear more strains in the Beatles music and look today than I do Elvis and the musicians from the 50's. That's how I feel.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 3:29 pm 
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Musicfan67 wrote:
Bruce, I necessarily don't disagree with you. Interesting Keith Richards once said that Buddy Holly had "an influence on everybody". Buddy Holly was the main influence on the Beatles they started the British Invasion. The Hollies named themselves after Buddy Holly.

So you think the amount of times his songs were covered counts as influence? I had this debate with someone else here about that topic. I have always viewed it as influence. Ok so in the scheme of things where do you rank Buddy Holly influence overall all on the British Invasion?


I don't know, he could be # 2, but Bo is certainly in the running if he's not # 2.

Just remember this....Bo was a big influence on Buddy Holly....not the other way around.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 4:40 pm 
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Musicfan67 wrote:
Big_Steve wrote:
ClashWho wrote:
IMO, rockabilly is a legitimate genre of music. Country rock isn't.

I agree with you on the debate but why don't you think country rock is a legitimate genre?

I guess it was pretty short-lived but some great music came out of it.


Geez have you guys heard of Country Alternative Rock? There is a whole bunch of musicians doing that. Have you guys heard of Steve Earle and Wilco for instance?

Good point man. There are a lot of artists today still influenced by the Flying Burrito Brothers/Gram Parsons, the Byrds, late-60s Bob Dylan, etc.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Fri Dec 03, 2010 9:51 pm 
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Check out this buffoon's proclamation:

http://news.discovery.com/human/worlds- ... ified.html

Where the fuck does he get that it's the first record with a guitar break from?

And he says that "That's All Right" is "one" of Presley's first singles.....you mean he doesn't know that is IS his first single?

And no mention of the real first rock and roll record, "Good Rockin' Tonight" by Wynonie Harris.

Plenty fo guitar breaks before "That's All Right."

How about the same artist from 4 years earlier....

http://www.youtube.com/watch?v=X6d2GTYG4lc


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:36 am 
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Bruce wrote:
corrections wrote:
Bruce wrote:
I googled "Third Stone From The Sun."

I'm not a Hendrix fan. He ruined rock and roll if you ask me, turning it into guitar tricks. The guy sang like a dead cow. Other than a couple of his singles I can't stand his music.

If I ever heard that song I'm not aware of it.


To boil Hendrix down to guitar tricks is to give the impression that you've A. never listened to the music or B. understood nothing that you heard.


What does "understood" mean?

Either music hits you or it doesn't. Most Hendrix records I've heard don't hit me as anything that I'd ever want to hear again. While his skill may have been tremendous, it just doesn't translate to music that I like AT ALL.

I don't deny that many opera singers had awesome talent, but most what they sing repulses me tremendously....just like most of what hendrix plays repulses me.

Hendrix repulses me the way that caviar repulses many people. They "understand" that it is fish eggs, but it makes them gag nonetheless.

I know many trained musicians who clearly understand what the Beatles were doing, for instance, but still don't like their music. Just because you "understand" something does not mean you won't hate it.


But to say what he was doing is just guitar tricks is to indicate that you don't understand what he was doing. Because what he was doing was seemlessly melding the riff rhythm base of rock with lead lines much like lines that would be sung by vocalists into such a seemless whole that it was tough to tell which role was being taken on at any given time. His tricks were a very minor part of his playing and innovation.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:39 am 
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Bruce wrote:
corrections wrote:
[What does being the number 42 singles artist (when rock has been an album art for longer than a singles art) really say though? Sure someone can be the number 42 singles artist but I'd say by at the latest the mid 70s rock had flipped to the album being the most important form. That means at the very most 25 years where the single was more important and 35 where the album was an I'd argue it splits more in the other direction. Also basing it entirely on charting is somewhat a wrong way to look at. We know in the US Sabbath is a top 100 alltime sales artist.



The Everly Brothers were a much bigger LP artist (# 431) in the 1955-1996 rankings than Black Sabbath was a singles artist.

So it's

SINGLES - Everlys # 42 - Black Sabbath - oogots

ALBUMS - Black Sabbath - # 132, Everlys # 431

Everlys (2) even had more top ten albums than sabbath (1).

They certainly have to win the commercial success portion of the criteria.


Only if commercial success consists entirely of initial popularity. And of course we have to actually take into account how much singles and albums mattered at their respective times. I don't really penalize the Everlys for their lack of album success because that wasn't a big part of the rock market then. Now that isn't quite the case for singles with Black Sabbath as they were still important but they were less so than albums. You really didn't address my point though which is that Sabbath has more lasting popularity and that albums have been the more important medium of rock distribution for longer than singles.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:41 am 
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Bruce wrote:
corrections wrote:
As far as influence I'd say yes they do have more influence than Holly.


Sabbath's influence is very isolated. It is huge on one relatively small sub-genre (heavy metal) and pretty much nonexistent on any other parts of rock and roll.

Holly had at least some influence on mainstream rock, country rock, british invasion, pop rock, new wave, punk, country, and even hard rock (Blind Faith).


That's patently false. Half of the foundation of grunge (which is a foundation for much alternative music) is based on Black Sabbath. They've got large punk influence and general hard rock influence too. Heavy metal isn't all that small of a subgenre either. And I think you underestimate the absolutely pervasive degree of their influence in the genre. Their are styles of metal that are entirely built on boiling Sabbath down to their core (just the riffs). But even leaving that aside practically every metal artist takes some direct influence from Black Sabbath. And every metal artist takes important secondary influence. I can't think of another artist in any other large subgenre whose influence is so ubiquitous.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:44 am 
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Musicfan67 wrote:
corrections wrote:
Musicfan67 wrote:
Bruce are those songs in 12/8 time signature because many slow dance songs are in that time signature. The ones I am talking about are the ones Frank Zappa and the Beatles were using as when the time signature changes often. I am talking about songs like "Good Morning" and "Happiness Is A Warm Gun".

These songs are in 12/8 also

"Blueberry Hill"
"You've Really Got a Hold on Me"


OK you do realize that jazz music had been using odd time signature for long before either of these artists right?


Tell me something I don't know. Jazz music like rock and roll mostly though is 4/4 time signature.
Rock and Roll is a synthesis of music of past styles. Many of the early Beatles songs was a synthesis of America R&B, with modal harmonies and melodies derived from the folk music of where they came from in Europe.

Hence they don’t sound like American rock and roll for the most part even though they borrowed from it a lot. Hence why people like Bob Dylan, the Byrds and others noticed they were different than the music they heard before.

What I was talking about when it comes to time signatures is in it’s application of rock and roll songs. The Beatles and Frank Zappa use of constant changing of meters. On "Happiness Is A Warm Gun" there are least six different meters in the first twenty-one bars. The songs you are talking about changes meters one or twice or it's in 12/8


Not too familiar with Miles Davis or John Coltrane are we? And why does rapid changing of meters make that big of a difference honestly? In classical music that had already been explored far more than the Beatles ever thought of exploring it. Gershwin thoroughly explored it too.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:46 am 
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corrections wrote:
Bruce wrote:
corrections wrote:
[What does being the number 42 singles artist (when rock has been an album art for longer than a singles art) really say though? Sure someone can be the number 42 singles artist but I'd say by at the latest the mid 70s rock had flipped to the album being the most important form. That means at the very most 25 years where the single was more important and 35 where the album was an I'd argue it splits more in the other direction. Also basing it entirely on charting is somewhat a wrong way to look at. We know in the US Sabbath is a top 100 alltime sales artist.



The Everly Brothers were a much bigger LP artist (# 431) in the 1955-1996 rankings than Black Sabbath was a singles artist.

So it's

SINGLES - Everlys # 42 - Black Sabbath - oogots

ALBUMS - Black Sabbath - # 132, Everlys # 431

Everlys (2) even had more top ten albums than sabbath (1).

They certainly have to win the commercial success portion of the criteria.


Only if commercial success consists entirely of initial popularity. And of course we have to actually take into account how much singles and albums mattered at their respective times. I don't really penalize the Everlys for their lack of album success because that wasn't a big part of the rock market then. Now that isn't quite the case for singles with Black Sabbath as they were still important but they were less so than albums. You really didn't address my point though which is that Sabbath has more lasting popularity and that albums have been the more important medium of rock distribution for longer than singles.


Actually, singles were the most important medium for rock and roll from about 1945 through 1974 and albums from about 1975 to about 2004, so it's about equal. In the last few years albums are not the most important medium anymore. People now download individual songs to their computers and Ipods rather than buying albums. People listen to individual songs on YouTube and other places far more often than they listen to albums.

The only Black Sabbath song I have ever heard on the radio is "Paranoid" and the only other song by them that I have heard AT ALL is the repulsive "Iron Man." They just have never really gotten into the mainstream. Their music is only known by a relatively small percentage of music listeners. MOST people just don;t want to hear head banging loud guitars.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:47 am 
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Bruce wrote:
Check out this buffoon's proclamation:

http://news.discovery.com/human/worlds- ... ified.html

Where the fuck does he get that it's the first record with a guitar break from?

And he says that "That's All Right" is "one" of Presley's first singles.....you mean he doesn't know that is IS his first single?

And no mention of the real first rock and roll record, "Good Rockin' Tonight" by Wynonie Harris.

Plenty fo guitar breaks before "That's All Right."

How about the same artist from 4 years earlier....

http://www.youtube.com/watch?v=X6d2GTYG4lc


Rock "historians" really annoy me sometimes.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:50 am 
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corrections wrote:
Bruce wrote:
corrections wrote:
As far as influence I'd say yes they do have more influence than Holly.


Sabbath's influence is very isolated. It is huge on one relatively small sub-genre (heavy metal) and pretty much nonexistent on any other parts of rock and roll.

Holly had at least some influence on mainstream rock, country rock, british invasion, pop rock, new wave, punk, country, and even hard rock (Blind Faith).


That's patently false. Half of the foundation of grunge (which is a foundation for much alternative music) is based on Black Sabbath. They've got large punk influence and general hard rock influence too. Heavy metal isn't all that small of a subgenre either. And I think you underestimate the absolutely pervasive degree of their influence in the genre. Their are styles of metal that are entirely built on boiling Sabbath down to their core (just the riffs). But even leaving that aside practically every metal artist takes some direct influence from Black Sabbath. And every metal artist takes important secondary influence. I can't think of another artist in any other large subgenre whose influence is so ubiquitous.


What about James Brown in funk?

What about Bill Monroe in bluegrass?

By the way, from what little I know about grunge all I can say is that it sounds like its name. It's nothing but white noise.


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 Post subject: Re: 100 Greatest Rock Artists (under revision)
PostPosted: Sat Dec 04, 2010 3:52 am 
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Bruce wrote:
corrections wrote:
Bruce wrote:
The Everly Brothers were a much bigger LP artist (# 431) in the 1955-1996 rankings than Black Sabbath was a singles artist.

So it's

SINGLES - Everlys # 42 - Black Sabbath - oogots

ALBUMS - Black Sabbath - # 132, Everlys # 431

Everlys (2) even had more top ten albums than sabbath (1).

They certainly have to win the commercial success portion of the criteria.


Only if commercial success consists entirely of initial popularity. And of course we have to actually take into account how much singles and albums mattered at their respective times. I don't really penalize the Everlys for their lack of album success because that wasn't a big part of the rock market then. Now that isn't quite the case for singles with Black Sabbath as they were still important but they were less so than albums. You really didn't address my point though which is that Sabbath has more lasting popularity and that albums have been the more important medium of rock distribution for longer than singles.


Actually, singles were the most important medium for rock and roll from about 1945 through 1974 and albums from about 1975 to about 2004, so it's about equal. In the last few years albums are not the most important medium anymore. People now download individual songs to their computers and Ipods rather than buying albums. People listen to individual songs on YouTube and other places far more often than they listen to albums.

The only Black Sabbath song I have ever heard on the radio is "Paranoid" and the only other song by them that I have heard AT ALL is the repulsive "Iron Man." They just have never really gotten into the mainstream. Their music is only known by a relatively small percentage of music listeners. MOST people just don;t want to hear head banging loud guitars.


I don't know what radio formats you've listened to but even on just normal "classic rock" stations I've heard Black Sabbath, the Wizard, NIB, War Pigs, Planet Caravan (although often the abysmal Pantera cover), Sweet Leaf, and Snowblind on almost as much as Iron Man and a few other songs scattered hear and there. I've heard these on multiple stations in the same area. I think they've got more spread than you think.

That's an interesting point you make with albums. I think a lot of people still tend to buy full albums though (although no doubt the market has changed again). I also think a lot of people tend to download full albums without paying for them. I think they do that more than they just download songs.


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