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| Author: | Bruno [ Tue Sep 11, 2012 4:34 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Jack wrote: Bruno wrote: How about thiis: 1. Presley 2. Aretha 3. Merc 4. Cooke 5. Plant 6. McPhatter 7. Orbison 8. Jackson 9. Wonder 10. Richard 11. Etta James 12. Redding 13. Ian Gillan 14. Perry 15. Daltrey Wilson, Gaye, Buckey, Joplin, Houston, Charles, and McCartney. I wouldn't put Perry that high. Also what possible justification do you have for Gillan being above Daltrey? Let's see: Influence: Gillan, by close. Skill: Daltrey Musical Impact: Probably tie, but I could give this to Daltrey. Maybe you're right, Jack. But I think that Perry should stay ahead of Roger Daltrey in the list. Influence: Daltrey Skill: Perry, by far Musical Impact: Perry Perry is one of the most acclaimed singers of his era and one of the most skilled. Would be: Perry Daltrey Gillan |
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| Author: | Bruno [ Tue Sep 11, 2012 4:43 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Cruz, we can still discuss the top 10? Don't see Redding getting in the top 10. And I have doubts about Etta. Take a look at the breakdown that Paul, Neg and I made about Wonder, Jackson, Richard, Redding and Wilson. From what I see, there are four slots up for grabs. Orbison, Jackson, Wonder and Richard would be the most suitable. But still have Wilson, Etta, Redding, Perry and Daltrey running out. |
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| Author: | Jack [ Tue Sep 11, 2012 5:07 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
The only real thing you could say Gillan beats Daltrey in is influence on hard rock. Daltreys influence on punk as well as britpop, not to mention the numerous big names that he's revered by really put him ahead of Gillan in every area. As for your Perry and Daltrey breakdown. You have to appreciate that The Who were a significantly bigger band than Journey. Daltrey is/was far more iconic. Perry certainly wins skill, but not by as big a margin as you suggest, and certainly not by as large a margin as he beats a fair percentage of the top ten I might add. Daltrey beats him in all the areas of versatility, diction and range. Perry of course has more control and better technique. It's always been a bit vague as to what 'skill' encompasses for singers here though. One minute the technical card is played which puts singers like Adam Lambert high, the next the use of things like phrasing etc is used to put someone like J Buckley high. There really needs to be a more coherent description of what skill really is |
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| Author: | Sherick [ Tue Sep 11, 2012 5:10 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Phrasing has not been used in the conversation of skill for quite some time. Jeff Buckley has great technique, that's why he's so high. It's not particularly vague at all. |
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| Author: | Jack [ Tue Sep 11, 2012 5:15 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Sherick wrote: Phrasing has not been used in the conversation of skill for quite some time. Jeff Buckley has great technique, that's why he's so high. It's not particularly vague at all. Jeff Buckleys technique wasn't nearly good enough to have him in the top ten IMO. Not to mention the extreme handicap Freddie Mercury gets given. Either way that's not really the point. Skill should definately just be 'Control, range, versatility and phrasing' in the context of this list. |
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| Author: | Sherick [ Tue Sep 11, 2012 5:24 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
There is a lot that goes into "control" though, and you are being vague by simply stating that one singer has better control than the other. Range on it's own doesn't mean anything. David Lee Roth has one of the biggest ranges out there, so does that make him particularly skilled? Phrasing has nothing to do with technique in this regard. You are free to explain why Buckley and Mercury are not amongst the most skilled vocalists in rock. |
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| Author: | Jack [ Tue Sep 11, 2012 5:38 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Sherick wrote: There is a lot that goes into "control" though, and you are being vague by simply stating that one singer has better control than the other. Range on it's own doesn't mean anything. David Lee Roth has one of the biggest ranges out there, so does that make him particularly skilled? Phrasing has nothing to do with technique in this regard. You are free to explain why Buckley and Mercury are not amongst the most skilled vocalists in rock. If you get too into it, then the list becomes too focused on skill. At this point the frequent posters should have a grasp on what areas the top singers are good at. As for range, you need to consider a singer actually using their voice to sing throughout their range. Ie low/high passages, using their whole singing range. Elvis Presely was a better user of range than DLR. Phrasing should be part of the skill criteria. It's so important if you are a singer it's not even funny. I didn't suggest Mercury wasn't up there. I just think that his weeknesses get ignored, and as soon as he demonstrates a handful of examples of being good at something, he's amazing. However if a singer denonstates that technique day in day out for years as well as he did, they don't get as much recognition for it. The main example is that every time Freddie goes over C5 live everyone wets themselves, but there are plenty of singers that do it all the time and control it better. Alot of those clips from that famous Newcastle gig show some pretty week technique in places. As for Buckley I think he's very good, but he also has some strong weeknesses, and I don't think for one minute he was as good as his father. Better musician though IMO :) |
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| Author: | Sherick [ Tue Sep 11, 2012 5:42 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Jack wrote: As for range, you need to consider a singer actually using their voice to sing throughout their range. Ie low/high passages, using their whole singing range. Elvis Presely was a better user of range than DLR. Phrasing should be part of the skill criteria. It's so important if you are a singer it's not even funny. This is actually not true, in fact it is pretty far from it. That's just one very minor example; I can show you tons of people who have far bigger ranges than many or most of the top 10. |
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| Author: | Bruno [ Tue Sep 11, 2012 5:48 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Jack wrote: The only real thing you could say Gillan beats Daltrey in is influence on hard rock. Daltreys influence on punk as well as britpop, not to mention the numerous big names that he's revered by really put him ahead of Gillan in every area. As for your Perry and Daltrey breakdown. You have to appreciate that The Who were a significantly bigger band than Journey. Daltrey is/was far more iconic. Perry certainly wins skill, but not by as big a margin as you suggest, and certainly not by as large a margin as he beats a fair percentage of the top ten I might add. Daltrey beats him in all the areas of versatility, diction and range. Perry of course has more control and better technique. It's always been a bit vague as to what 'skill' encompasses for singers here though. One minute the technical card is played which puts singers like Adam Lambert high, the next the use of things like phrasing etc is used to put someone like J Buckley high. There really needs to be a more coherent description of what skill really is I don't think that we should take much account of which band were the singers. If so, Mick Jagger would be top 10. I agree with you about Daltrey > Gillan Perry/Daltrey: I still think Perry beats Daltrey in Musical Impact. About Skill, I think you're taking too much in regard the performance of the singer on stage. And devaluing what is done in studio. |
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| Author: | Gregsynthbootlegs [ Tue Sep 11, 2012 5:56 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Considering Freddie's handicap (vocal nodules), I'd say he fared pretty well! :D If you want the absolute most skilled vocalist in rock and roll, look no further than Paul Stanley from the last couple years (able to hit multiple notes at once and get overtones into the 7th octave)! That takes lots of skill! |
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| Author: | Jack [ Tue Sep 11, 2012 6:04 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Bruno wrote: Jack wrote: The only real thing you could say Gillan beats Daltrey in is influence on hard rock. Daltreys influence on punk as well as britpop, not to mention the numerous big names that he's revered by really put him ahead of Gillan in every area. As for your Perry and Daltrey breakdown. You have to appreciate that The Who were a significantly bigger band than Journey. Daltrey is/was far more iconic. Perry certainly wins skill, but not by as big a margin as you suggest, and certainly not by as large a margin as he beats a fair percentage of the top ten I might add. Daltrey beats him in all the areas of versatility, diction and range. Perry of course has more control and better technique. It's always been a bit vague as to what 'skill' encompasses for singers here though. One minute the technical card is played which puts singers like Adam Lambert high, the next the use of things like phrasing etc is used to put someone like J Buckley high. There really needs to be a more coherent description of what skill really is I don't think that we should take much account of which band were the singers. If so, Mick Jagger would be top 10. I agree with you about Daltrey > Gillan Perry/Daltrey: I still think Perry beats Daltrey in Musical Impact. About Skill, I think you're taking too much in regard the performance of the singer on stage. And devaluing what is done in studio. I meant that Daltrey was the same sized fish in a bigger Pond than Perry. Theres also no way Perry beats Roger Daltrey in musical impact. Perry really never did anything as impacting as the scream in Won't Get Fooled Again, the opening to See me Feel me, or the stutter in my generation. As for live ability devaluing what the singer does in the studio. I never suggested that. All I've ever said is that a vocalist deserves extra points for carrying out a skill over a long period of time. I'm not saying that the singer that didn't gets marked down, once you've done something once, and then a few times live you prove you have skill to do it. However if you continue to use that skill for years to come then you get extra browny points. For example Freddie Mercury used his head voice very well in his prime. He even demonstrated he had control of it by recording live takes etc. Steve Perry did the same, but also had a 9-10 year period where he showed it off night after night. To not reward him for that would be criminal. The fact Freddie Mercury didn't use his head voice that much live doesn't hurt him, but it also doesn't limit other singers. Now if he'd used his head voice BADLY live consistantly it would hurt him |
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| Author: | Jack [ Tue Sep 11, 2012 6:07 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Gregsynthbootlegs wrote: Considering Freddie's handicap (vocal nodules), I'd say he fared pretty well! :D If you want the absolute most skilled vocalist in rock and roll, look no further than Paul Stanley from the last couple years (able to hit multiple notes at once and get overtones into the 7th octave)! That takes lots of skill! I really hate the 'Poor Freddie had nodules' excuse. His underdeveloped technique early on either caused them or made them worse. He also had plenty of other habits which hurt his voice. So it's not as if he had a condition and did all the right things to fix it or keep it under control |
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| Author: | Bruno [ Tue Sep 11, 2012 6:13 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Quote: I meant that Daltrey was the same sized fish in a bigger Pond than Perry. Theres also no way Perry beats Roger Daltrey in musical impact. Perry really never did anything as impacting as the scream in Won't Get Fooled Again, the opening to See me Feel me, or the stutter in my generation. I think we may be having a problem understanding the criterion here. The criteria say: Quote: Musical Impact refers to how much a singer's career impacted rock music. I can understand how the singer was/is acclaimed by the prominent musical peers and publications. And I can use the argument that in lists of singers, Perry is quoted more than Daltrey. So then I can say that Perry is considered by many the best live singer of all time. |
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| Author: | Jack [ Tue Sep 11, 2012 6:25 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Bruno wrote: Quote: I meant that Daltrey was the same sized fish in a bigger Pond than Perry. Theres also no way Perry beats Roger Daltrey in musical impact. Perry really never did anything as impacting as the scream in Won't Get Fooled Again, the opening to See me Feel me, or the stutter in my generation. I think we may be having a problem understanding the criterion here. The criteria say: Quote: Musical Impact refers to how much a singer's career impacted rock music. I can understand how the singer was/is acclaimed by the prominent musical peers and publications. And I can use the argument that in lists of singers, Perry is quoted more than Daltrey. So then I can say that Perry is considered by many the best live singer of all time. Yeh |
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| Author: | Gregsynthbootlegs [ Tue Sep 11, 2012 6:31 pm ] |
| Post subject: | Re: 100 Greatest Rock Singers |
Jack wrote: Gregsynthbootlegs wrote: Considering Freddie's handicap (vocal nodules), I'd say he fared pretty well! :D If you want the absolute most skilled vocalist in rock and roll, look no further than Paul Stanley from the last couple years (able to hit multiple notes at once and get overtones into the 7th octave)! That takes lots of skill! I really hate the 'Poor Freddie had nodules' excuse. His underdeveloped technique early on either caused them or made them worse. He also had plenty of other habits which hurt his voice. So it's not as if he had a condition and did all the right things to fix it or keep it under control He did keep it under control by teaching himself newer techniques to get through live shows. Look at the difference between say the NOTW tour and the Crazy Tour--his mixed voice was more stable, and he was able to get through the shows still sounding "fresh." He used this self-taught technique throughout the early 80s in live settings and he sounded great at most shows. His voice started suffering on the later Hot Space shows (due to excessive touring, partying, the climate, and oversinging), so he had to resort to forcing more chest voice to hit the same notes (which really threw him off). The Works Tour wasn't Freddie's finest tour (way too much partying among other things), and that tour isn't really something I wouldn't showcase to people for Freddie's live work (although the first couple shows, and the Japanese 1985 stuff were his best shows on that tour). His voice recovered 100% for Live Aid, and he was able to sing the songs very easily, and completely nailed Radio Ga Ga. So he did find ways to "get around" the nodules and his live performances improved as a result! He couldn't risk having surgery (he may have lost his voice), so he took a less invasive approach! |
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